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“I'm sorry Dürer, really.”

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The Project

The “Ecocalypse” graphic essay/art book doesn’t really fit into any previous genre. It is a book about the societal collapse that might precede our extinction as a species, but the style is simple, ironic, and, at times, intentionally funny. It is imagined as a dialogue with the German Renaissance painter Albrecht Dürer (1471-1528), but the material is non-fiction, as the written fragments are drawn from history, news, or the my personal experience. Except at the very beginning, the text doesn’t explain the drawings nor do the drawings illustrate the text, but rather, they are both seen as building-blocks of a single story.

The backbone for the fragmented narration is given by Albrecht Dürer’s late 15th century “Illustrated Apocalypse”. Each of his 15 woodcuts was an inspiration for one of the new drawings, although the original is not always followed closely. Fifteen quotes from the Book of Revelation are added to mirror Dürer's engravings whereas my drawings are followed by specular texts, one- or two-page short stories that illustrate societal fault lines that might become a problem in the future: the ecological and social negative feedback loops, the reemergence of infectious diseases, the narcissism epidemic, Doomsday Shelters and the problem of the ruling élites, the problem of economic growth on a raging planet, the problem of self-preservation at all costs on the state and government levels, the problem of self-preservation at all costs on the individual level, the potential unruliness of mercenary armies and the problem of human behavior in extreme environments.

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"The term’s unmistakable meaning and evocative power serve as a thematic and stylistic framework for a book that deals with the collapse of civilization that might precede our extinction."

Marija Bradaš - NuBE
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The Author

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Bojan Mitrović is a historian of Eastern Europe who currently works in sustainable tourism and has a passion for drawing. As an artist, he had three solo exhibitions in the last three years and had participated in the 2021 Nova Festival of Comics And Illustration in Pančevo,  Serbia. His works are almost exclusively ink-liners on paper, but thematically, they can be distinguished into two main groups. The first, called, “Mezzo Gaudio” (Half a Joy), is an ongoing collection of mutually unrelated drawings that are a product of introspection. Several of these drawings are already published, in the Nova Festival catalogue and in Vladan Miljković’s “Kraftverk u Audiju”, 2021 poetry book. For the second group, the method of “thinking through drawing” devised for his introspective works, was applied to the external world, and resulted in a closed, somewhat more structured group of drawings and texts, that is the “Ecocalypse”.

As a historian, he has worked mostly on 19th century nationalisms and cultural history in Southeastern Europe, focusing on the fall of Empires and the post-imperial transition. This is his first work that borders with fiction, trying to unite all his passions from storytelling and drawing to writing and historical narration. He was born in Belgrade, Serbia and currently lives in Trieste, Italy.

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Next Steps

By Ecocalypse | April 2, 2024 |

Dear all, thank you for your support. I promise I won’t be posting too much stuff here but I do feel the need to explain how this campaign is organized and what are the following steps. Why is Ecocalypse crowdfunded? I guess you already know Ecocalypse is a hybrid narration, and that’s the main reason…

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